Writing Course Catalog

Here you can see all of my currently available creative writing courses and workshops. Each one is available in either an in-person format or via a live, online webinar. If you are an event organizer and would like for me speak at your author conference, Con, writing group, library, bookstore, etc., then send an e-mail to lindsay@lindsayschopfer.com with the subject “Writing Course Request”.

Crafting A Complete Story – A Four-Part Workshop Series

A complete story has it all. A strong hook in the beginning, ongoing conflicts and questions to keep the reader interested, and an ending that is both satisfying and leaves the reader wanting more. In this four-part workshop series, participants will learn skills like identifying essential establishing information, writing scenes that continually flow between conflict and resolution, and setting up potential sequels while still crafting endings that are emotionally satisfying.

NOTE: While the workshops in this series work best when taken together, they can also be taken separately.

Where To Start Your Story

A great story must start strong to get the reader’s attention. Each novel’s beginning must be a balancing act of description, backstory, and action. Participants in this workshop will learn how much backstory to include in their novel, how to identify essential establishing information, and how to effectively drop their readers into the action.

Unlocking Character Motivation

Motivation is the fuel that allows a character to make the long journey from a story’s beginning to its ending. No other character trait will prove more useful to the writer in determining a story’s structure, pacing, mood, and theme.  Participants in this course will learn how to identify character needs, how to create motivation for both protagonists and antagonists, how to increase pacing through motivation, and how to make a character’s motivation evolve throughout the story.

Make Your Novel A Page-Turner

We all know novels need strong beginnings, but what about the rest of the story? An effective story keeps the reader up late into the night because they just can’t put it down. Participants in this workshop will learn how to establish a pattern of conflicts and resolutions throughout the story, how to balance description with action, and how to build up to the story’s climax.

Writing Satisfying Endings

A good ending can make a reader beg for more. A bad ending can leave a reader feeling betrayed. This spoiler-free (mostly) workshop will examine what it takes to write an ending that will leave the reader both satisfied and hungry for more. Participants in this course will learn the three traits of a satisfying ending, where to go after the climax, and how to set up a series of books as opposed to finishing a standalone novel with series potential.

A Novel in Four Drafts – A Four-Part Workshop Series

Every draft of a novel can be more than just another version of the manuscript. It can be an ongoing evolution that keeps improving with each stage until the work is finally the best version of itself. Writers in all stages of production will benefit from this detailed and engaging look at the writing and revision process. Participants in this course will learn what they should focus on for each draft, techniques for effective editing, and how to complete that book that never seems to be good enough.

NOTE: While the workshops in this series work best when taken together, they can also be taken separately. This course can also be presented as a single, abbreviated workshop.

The First Draft – Just Get It Down

No amount of dreaming will make a first draft happen. It takes effort, time, and dedication to create the raw material that will eventually become a finished story. Participants in this class will learn how to handle writers block, how to postpone the need to edit, and how to course-correct midway through the process.

The Second Draft – Making the Big Changes

It’s a mistake to call a story done after the first draft. In reality, the majority of the work of creation is still ahead of you. Participants in this class will learn how to evaluate the manuscript as a whole, how to decide between cutting and changing, and when to move on.

The Third Draft – All the Little Details

The first draft is written for the writer’s sake, all subsequent drafts are for the reader’s. Participants in this course will learn how to troubleshoot for a variety of narrative issues, including continuity errors, plot holes, logic errors, and showing vs. telling.

The Fourth Draft – One Sentence at a Time

After all the major editing has been finished, there’s a temptation to call a story done and move on. But even a fantastic story will suffer if the reader has to fight through a messy narrative to get to it. In this class, participants will learn tips on proofreading, how to avoid “author blindness”, and how to recruit and select additional readers.

Four Types of Scenes – A Four-Part Workshop Series

Every story is made up of different types of scenes, each one requiring a different skillset from the author to write effectively. Writers of all genres will benefit from this four-part course designed to teach students the unique benefits and requirements for each type of scene. Subjects covered will include setting and character description, dialogue, internal monologue, and action.

NOTE: While the workshops in this series work best when taken together, they can also be taken separately.

How to Write Description

Effective descriptions do more than orient the reader to the physical details of the story. A good writer will create an atmosphere with their descriptions, evoking visceral responses and sucking the reader into the scene. Participants in this workshop will learn how to have an economy of words, how to spark emotion through word choice, and what details are important depending on the type of story that’s being written.

How to Write Dialogue

Dialogue has the power to reveal backstory, explore conflict, and develop characters like no other type of storytelling. Writers of all genres will benefit from this in-depth study of the ways that we describe conversations between characters. Participants in this workshop will learn how to write believable dialogue, how to use dialogue tags effectively, and the role of body language in narrative writing.

How to Write Internal Monologue

Novels and short stories allow the writer to explore the inner thoughts of the protagonist in an in-depth, unique way. While a real person’s thoughts may be fragmented and confusing, a skilled storyteller will know how to distill the semi-random ramblings of the mind into an engaging, visceral character study. Participants in this workshop will learn how to show the character’s emotion through writing style, how to blend exterior descriptions and interior reactions, and how to avoid mental rambling from the protagonist.

How to Write Action

Action scenes are usually the most exciting, intense parts of our stories, but they can be tricky to get right. Too little detail and the reader won’t be invested; too much, and the action will be lost in a sea of unnecessary details. Participants in this course will learn how to manage pacing, how to balance character reactions and event descriptions, and how to use effective word choice to keep the reader fully immersed in the scene.

Finding Your Writing Process – A Four-Part Workshop Series

Everyone has an idea for a book. The tough part is turning that idea into something that readers will want to read, review, and recommend to friends. Whether you’ve just gotten a brilliant idea or are suffering from a year-long bout of writers block, this course is for you. Participants will learn how to develop ideas into plots, how to make the most of their writing time, and how to be efficient and focused while doing research.

NOTE: While the workshops in this series work best when taken together, they can also be taken separately.

The Idea Factory

It isn’t hard to have one good idea, but how does a writer get multiple ideas during each writing session? Whether you’re trying to come up with the plot to your next novel or just trying to figure out what a character should say next, this class is designed to help you. Students will learn effective observation techniques, tricks for removing the boundaries to their imaginations, and the alchemy of idea-making.

Turning Ideas into Manuscripts

While the process of getting ideas can be both fun and fulfilling, there comes a time when a writer must begin the work of translating his scattered thoughts into a story that his readers can enjoy. In this course, students will learn the difference between planning and stalling, how to stay organized during the writing process, and how to write with confidence regardless of the need to revise later.

Your Guide to Effective Research

Research can add depth, credibility, and immersion to any novel. It can also be frustrating, confusing, and inefficient. This workshop will help writers of all genres develop the skills and habits necessary to make research a fun, productive part of their writing process. Participants will learn how and where to begin their research, how to be efficient and focused while researching, and how to find and interview topical experts.

Making the Most of Your Writing Time

“I only write when I’m inspired, and I make sure I’m inspired every morning at 9 a.m.” Come and learn how to turn off your inner critic and make the most of the time that you set aside to practice your craft. Participants in this course will learn how to create a writing-friendly environment, how to manage their writing time, how to prepare for their writing time, and how to set organic goals that will measure success rather than focus on artificial deadlines.

The Basics of Creative Writing – A Four-Part Workshop Series

Are you interested in writing stories, but don’t know where to start? Published author and creative writing instructor Lindsay Schopfer offers an informative introduction to the world of writing. Students will learn everything they need to know to get started in their craft, including how to structure a story, how to show a scene instead of telling it, and how to avoid writer’s block. Note: this course is particularly useful for young writers and other first-timers.

NOTE: While the workshops in this series work best when taken together, they can also be taken separately.

Learning the Language of Creative Writing

Do you know the difference between a protagonist and antagonist? Do you know what POV stands for, or what exactly a plot point is? In this class, new writers will learn all of the jargon necessary to get the most out of any class on creative writing. Additional subjects will include metaphors and similes,  deus ex machina, and many more.

The Difference Between Showing and Telling

If you’ve ever taken a class on creative writing, you’ve probably heard that it’s better to show a story rather than telling it. But what does that mean? Are you never allowed to tell the reader anything? How do you show something that’s written down? Participants in this class will learn and practice a variety of ways to write their stories, as well as gaining some useful tips and tricks for keeping readers interested.

The Structure of a Story

Nearly all stories follow a common structure, with familiar characters, plot points, and arcs. A good writer knows how to follow this pattern while still telling a unique and interesting story. Students will learn what a character arc is, what a three-act structure is, and how to tell a complete story from beginning to end.

How to Avoid Writer’s Block

All writers suffer from writer’s block, but the successful story teller is able to work through the pain and get back to the art that they love. In this class, author Lindsay Schopfer shares a variety of methods to get past those mental and emotional blocks to creativity. Students will learn how to find inspiration at any time, how to turn off negative self-talk, and how to come up with new ideas whenever they need them.

The Business of Creative Writing – A Four-Part Workshop Series

Jim Henson said that business plays an essential role in communicating art to a broad audience, and that we must understand the value of both worlds. This four-part series of classes will introduce students to the world of business for creative writers.  Participants will learn the basics of traditional and independent publishing, how to market and promote yourself, what kind of professionals are out there and when to hire them, and how to do author events and book signings.

NOTE: While the workshops in this series work best when taken together, they can also be taken separately.

An Introduction to Contemporary Publishing

The world of publishing has been changing drastically in the last decade and can be very confusing for new writers. Join hybrid author Lindsay Schopfer as he explains the basics of modern publishing as well as the many options available to today’s writers. Participants in this workshop will learn the difference between traditional, indie, hybrid, and self-publishing, along with the advantages and disadvantages of each.

Practical Advice on Marketing and Promotion

Even the best book in the world needs to be purchased by somebody before it can be read. Rather than presenting outdated strategies that only work for a few lucky people, author Lindsay Schopfer will share some workable tips and suggestions for increasing book sales in any genre. Students will learn what the actual value of social media is, how to tell a gimmick from a practical marketing strategy, and how to avoid self-promotion burn-out.

Investing in Your Writing Career

“You have to spend money to make money.” But how much money? And who should you give it to? Both published and unpublished writers will benefit from this practical guide to investing in your craft without breaking the bank. Students will learn how to shop around for a variety of freelancers including editors and cover artists, how to manage their resources when choosing promotional options, and how to determine the best options for educating themselves in their craft.

Engaging with Fans Face-to-Face

Whether it’s at a vendor table at a Con or a chance encounter at a restaurant, an author can either make or break a fan’s enthusiasm by the way they treat them. In this fun and insightful class, author Lindsay Schopfer will draw on personal experience and observations to demonstrate how to build positive relationships with fans. Subjects covered will include how to act during a book signing, what to expect at a reading, and how to handle both positive and negative conversations about your work.

Writing Fantasy and Science Fiction – A Four-Part Workshop Series

Fantasy and science fiction are two of the most popular genres in our media, but writing and selling these types of stories can sometimes feel impossible. This course is designed to help speculative fiction authors create and sell their books to readers that will become longtime fans. Students will learn the importance of sub-genre, how to world-build effectively, and how to market a fantasy or sci-fi story.

NOTE: While the workshops in this series work best when taken together, they can also be taken separately.

Creating Original Worlds

Each time a writer begins a new story they have an opportunity to take their readers to places they have never been before. Fantasy, sci-fi, and paranormal authors will all benefit from this in-depth, detailed look into the unique craft of creating original worlds. Participants in this course will learn creative ways to do their world building, some essential questions to ask themselves about their worlds, and a variety of techniques to make their worlds as original as possible.

The Subgenres of Fantasy and Science Fiction

So you’ve written an out-of-this-world novel and somebody asks you what sort of story it is. What do you tell them? Fantasy and sci-fi fans and authors of all skill levels will enjoy this entertaining and informative breakdown of some of speculative fiction’s most popular genres and subgenres. Participants will learn the histories and unique traits of more than a dozen different subgenres, as well as how to identify their own genre and how to use it to predict what their readers will expect from their stories.

Writing Fantasy and Science Fiction for a Mainstream Audience

What do Fantasy/Sci-fi blockbuster books and films like Harry Potter, Hunger Games, and Game of Thrones have in common? Each of them has widespread appeal outside of its customary niche market. In this insightful blending of a craft and marketing workshop, learn how you too can write and promote a speculative fiction novel that both dedicated fans and casual readers will enjoy. Participants in this course will learn how to write stories that are accessible to a broader audience, how to identify and target early adopters, and how to avoid “selling out” by staying true to your craft.

The Roots of Steampunk

The steampunk community is a vibrant and powerful niche within the larger world of speculative fiction. This class will explore the historical and literary roots of this eclectic mingling of genres. Students will learn fascinating facts from the Victorian Era, what literature from the period has influenced today’s steampunk culture, and the basic philosophy and appeal of steampunk.

Additional Workshops from Lindsay Schopfer

Choose Your Words Carefully

Mark Twain said that the difference between the right word and the nearly right word is the same as that between lightning and the lightning bug. Storytellers of all skills and disciplines will benefit from this fun and insightful look at the language they choose for their creative writing. Participants will learn how to start developing their own unique writing voice, how to use a thesaurus wisely, how to write powerful metaphors and similes, and how to avoid clichés.